HOUELLEBECQ (Michel), MORAWETZ (Gabriela) - Lot 96

Lot 96.1
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HOUELLEBECQ (Michel), MORAWETZ (Gabriela) - Lot 96
HOUELLEBECQ (Michel), MORAWETZ (Gabriela) The Grey Expanse Saumane, Le Renard Pâle Éditions (collection Festina lente), 2014 In-12: folio, in filled cover, publisher's laminated pewter slipcase with printed, accordion-folded photograph affixed to the second cover (width: 1.6 meters). Cardboard slipcase titled and numbered on spine, inscription in pen on spine: "Edition de luxe. Collection Yolande Clergue 2021". First illustrated edition. The poem first appeared in 2013 in the collection Configuration du dernier rivage published by Flammarion. Limited edition of 35 copies on Arches paper, signed by the author and artist. Copy n. 31/35. The illustration includes 2 original photographs by Gabriela Morawetz, printed by herself in pigment print on 100% Hahnemühle rice paper. The first, printed in red (8 x 6 cm), is mounted at the end of the poem, signed and dated 2014 by the photographer. The second, printed in black and white, is accordion-folded (17.5 x 160 cm) and mounted on the bottom of the publisher's laminated pewter slipcase. It is signed and dated 2014 by the photographer on the flap.HOUELLEBECQ (Michel), MORAWETZ (Gabriela) L'Étendue grise Saumane, Le Renard Pâle Éditions (Festina lente collection), 2014 In-12: folio, in filled cover, publisher's laminated pewter slipcase with printed, accordion-folded photograph affixed to the second cover (width: 1.6 meters). Cardboard slipcase titled and numbered on spine, inscription in pen on spine: "Edition de luxe. Collection Yolande Clergue 2021". First illustrated edition. The poem first appeared in 2013 in the collection Configuration du dernier rivage published by Flammarion. Limited edition of 35 copies on Arches paper, signed by the author and artist. Copy n. 31/35. The illustration includes 2 original photographs by Gabriela Morawetz, printed by herself in pigment print on 100% Hahnemühle rice paper. The first, printed in red (8 x 6 cm), is laminated at the end of the poem, signed and dated 2014 by the photographer. The second, printed in black and white, is accordion-folded (17.5 x 160 cm) and mounted on the bottom of the publisher's laminated pewter slipcase. It is signed and dated 2014 by the photographer on the flap.
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